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This unique exhibit in Boise turns words of hate into works of art | Opinion

From left, Roy Schiele, Lisa Keithley and Kim Miller discuss part of the Speaking Volumes: Transforming Hate exhibit recently at the Albertsons Library at Boise State University.
From left, Roy Schiele, Lisa Keithley and Kim Miller discuss part of the Speaking Volumes: Transforming Hate exhibit recently at the Albertsons Library at Boise State University. Boise State University visual services
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  • Artists repurposed 4,000 hate-filled books into sculptures, prints and origami.
  • The Boise exhibit draws attention to hate history and fosters public reflection.
  • Speaking Volumes offers free public access at three cultural Boise venues in 2025.

I finally got a chance to check out a poignant exhibit about hate, transformation and hope that’s now showing in three locations in Boise.

The exhibit, Speaking Volumes: Transforming Hate, has a unique origin story.

In 2003, a former leader of the white supremacist group Creativity Movement agreed to sell more than 4,000 copies of the group’s hate-filled books, including “The White Man’s Bible,” to the Montana Human Rights Network.

“So here they have these 4,000 hateful books, and they said, ‘What do we do with them?’” Gwyn Hervochon, archivist/librarian and associate professor at Boise State University’s Special Collections and Archives, told me in an interview. “They considered destroying them, but they wanted to do something more constructive and more creative with them. They realized there’s a better way than to just destroy them and forget it, but to learn from them.”

So the Holter Museum of Art in Helena, Montana, put out a call out to artists nationwide, asking for ideas on how to best transform the books of hate into works of art.

The results include sculpture, photography, ceramics and printmaking. Artists from Montana, New York, Pennsylvania, California and more responded.

Artist Kristin Casaletto, of Grand Rapids, Michigan, created her exhibit, CondemNation, honoring the 11 victims of hate crimes in Montana in 1992, the year The Creativity Movement re-issued “The White Man’s Bible” and “Nature’s Eternal Religion.” She remade 11 pages from the books using art materials to negate the book’s texts.
Artist Kristin Casaletto, of Grand Rapids, Michigan, created her exhibit, CondemNation, honoring the 11 victims of hate crimes in Montana in 1992, the year The Creativity Movement re-issued “The White Man’s Bible” and “Nature’s Eternal Religion.” She remade 11 pages from the books using art materials to negate the book’s texts. Scott McIntosh smcintosh@idahostatesman.com

One artist from Michigan created 11 images using India ink, paint and mixed media on the pages from the books to honor the 11 hate crime victims in Montana in 1992, the year the Creativity Movement reissued “The White Man’s Bible.” Another artist transformed the pages of the books into origami art and a mask. Another turned the pages into 1,000 origami “peace doves.”

Washing Hate, from artist Billie Lynn, of Coral Gables, Florida, features pages of The Creativity Movement’s books washed in soap and water until they began to dissolve and were re-formed into small sculptures.
Washing Hate, from artist Billie Lynn, of Coral Gables, Florida, features pages of The Creativity Movement’s books washed in soap and water until they began to dissolve and were re-formed into small sculptures. Scott McIntosh smcintosh@idahostatesman.com

One artist, Billie Lynn, of Florida, explained how she came up with the idea of washing the pages in soap and water and forming them into small sculptures.

“After reading some of the ‘literature,’ I was shocked by the ‘rational/logical’ mind spewing such hatred and historical distortion,” Lynn writes in her artist statement. “After a short time, I had the undeniable impulse to jump up and wash my hands – I felt so defiled.”

The exhibit started in 2008 and has been to Idaho before, but this is the first time it’s been in Boise.

The Boise exhibit is a collaboration among Boise State University, the Wassmuth Center for Human Rights, the Erma Hayman House and the Speaking Volumes Art Action group.

The exhibit is free and open to the public at all three locations during regular open hours.

I checked out the part of the collection that’s on the first floor of the Albertsons Library at Boise State.

Idaho, of course, has had its own struggles with white supremacy and white separatist movements, notably Richard Butler’s Aryan Nations compound in the 1980s and ’90s in North Idaho that gave Idaho a negative reputation that lives on today.

Those struggles continue with Christian nationalist movements that see Idaho as a white separatist haven and particularly North Idaho as part of the American Redoubt movement.

This isn’t ancient history.

We were reminded of that fact just a few weeks ago when, right here in Boise, at the Hetero Awesome Fest, North Idaho podcaster Dave Reilly said Boise is a great city, saying “there aren’t any Black people here.”

If you think we’ve rid ourselves of the scourge of white supremacy and hate, think again.

Now, more than ever, we need the message of the Speaking Volumes exhibit.

“It’s important to continually find ways to remember and learn from communities of hate,” Hervochon said. “This exhibit shows how to take these materials and transform them, reinterpret them, reimagine them into something positive and meaningful. It’s more hopeful, in some cases more beautiful. It’s something to learn from. It’s so much more powerful to turn them into something different, more hopeful.”

Scott McIntosh is the opinion editor of the Idaho Statesman. You can email him at smcintosh@idahostatesman.com or call him at 208-377-6202. Sign up for the free weekly email newsletter The Idaho Way.

Ryan Sarah Murphy, of New York, created Take Heed and Tremble, which pairs the torn pages of “The White Man’s Bible” with 12-inch wooden skewers, suggesting a dangerous cluster of bottle rockets, minus any indication of a fuse, rendering them inert and ineffective.
Ryan Sarah Murphy, of New York, created Take Heed and Tremble, which pairs the torn pages of “The White Man’s Bible” with 12-inch wooden skewers, suggesting a dangerous cluster of bottle rockets, minus any indication of a fuse, rendering them inert and ineffective. Scott McIntosh smcintosh@idahostatesman.com
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Scott McIntosh
Opinion Contributor,
Idaho Statesman
Scott McIntosh is the communities editor and columnist for the Idaho Statesman. A graduate of Syracuse University, he joined the Statesman in August 2019. He previously was editor of the Idaho Press and the Argus Observer and was the owner and editor of the Kuna Melba News. He has been honored for his editorials and columns as well as his education, business and local government watchdog reporting by the Idaho Press Club and the National Newspaper Association. Sign up for his weekly newsletter, The Idaho Way. Support my work with a digital subscription
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