Movie News & Reviews

‘The Huntsman: Winter’s War’ just misses target

Extreme monochromatic fashion: matching wardrobe to furniture.
Extreme monochromatic fashion: matching wardrobe to furniture. Universal Pictures

How do you solve a problem like Kristen (Stewart)? If you’re the filmmakers of “The Huntsman: Winter’s War,” you write Snow White entirely out of the sequel to “Snow White and the Huntsman.” The film’s clearly a valuable property, so it’s no wonder that Universal would return to that well with a sequel, this time directed by Cedric Nicolas-Troyan, the visual effects supervisor on the first film. But the script acrobatics result in a bizarre prequel/sequel mash-up where Snow White doesn’t show up in her own fairy tale.

The film focuses on two of the best elements from the first film: Charlize Theron’s wickedly beautiful and scheming Ravenna, a queen who desires power, and to be the fairest of them all, and Chris Hemsworth’s ruggedly hunky ax-throwing huntsman, Eric. Added to the mix is Ravenna’s sister Freya (Emily Blunt), a literal ice queen; and Sara (Jessica Chastain), a fellow huntsman and Eric’s true love.

(The filmmakers get points for having three of the finest actresses around sharing screen time.)

In the prequel portion, Freya suffers a devastating loss at the hands of her lover, which causes her to spontaneously transform into ice. She retreats to the North to rule as the Ice Queen, where she wears fabulously glittery gowns and builds an army by kidnapping children. Eric and Sara fall in love there, but Freya, jaded, has only one rule: no love.

In the sequel part, heralded by a “7 years later” title, Eric and Sara have been driven apart, Ravenna’s been dispatched, and Freya is on a kingdom-conquering, kid-snatching roll. The tricky mirror-mirror has gone missing too, and Eric’s got to get his hands on it before Freya does.

The film feels disjointed and lackluster for the majority. The scenes and character introductions feel random, the time jump implausible, and no one is all that compelling, especially Hemsworth.

It also seems as if the writers of “The Huntsman: Winter’s War” have been catching up on “Game of Thrones,” because there are a few uncanny similarities — Chastain’s arrow-slinging Sara sports a ridiculous Scottish accent to match Jon Snow’s girlfriend Ygritte, and the stormy lovers have to scale ice walls.

One bright spot in the film are the dwarves used for comic relief. Once you get past the digital shrinking of the actors, and the low-brow humor, they inject a much-needed levity, and Sheridan Smith almost steals the whole show as the sassy Mrs. Bromwyn. The visual effects, naturally, are truly amazing, particularly the shape-shifting liquid gold of the mirror.

Every time Theron is on screen, the movie gets crazy campy, and therefore at least somewhat interesting. Ultimately, the film presents a message that emotional vulnerability can be a source of strength. It’s a bit self-help-y, but by the end it feels somewhat earned.

The Huntsman: Winter’s War

Rated: PG-13 for fantasy action violence and some sensuality. Starring: Chris Hemsworth, Charlize Theron, Emily Blunt, Jessica Chastain. Director: Cedric Nicolas-Troyan. Running time: 114 minutes. Theaters: Edwards 21, Edwards 9, Edwards 14, Edwards 12, Majestic 18, Village Cinema.

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