Movie News & Reviews

‘A Hologram for the King’ — so good you hate to leave

Hope there is some SPF 150 in that briefcase Tom.
Hope there is some SPF 150 in that briefcase Tom. Roadside Attractions

In the first seconds of “A Hologram for a King,” Tom Tykwer flings the audience into a surreal sequence, in which Tom Hanks is performing a version of the old Talking Heads song, “Once in a Lifetime.” As Hanks advances on the camera, asking himself how he happened to get his “beautiful house” and his “beautiful wife,” each vanishes into blue smoke. And then, just as we’re getting used to this rock video approach and enjoying it, Tykwer breaks it off and shows Hanks on an airplane, getting startled awake by the Muslim call to prayer.

It’s a great opening. Tykwer, oozing directorial confidence, prepares his audience for the unconventional, all the while conveying two important pieces of information: This is about an American traveling to the Middle East on business, and this is the story of a man who finds himself at midlife and doesn’t have a clue.

“A Hologram for the King” has great energy, and also a languorous, lived-in quality. Adapted by Tykwer from the Dave Eggers novel, the movie locates us in a place — Saudi Arabia — and without seeming to be trying, makes us want to stay. It finds a rhythm and engages us in the struggle of the central character. It becomes a kind of world, and we’re glad to be in it.

It’s the story of a decent man who needs to put over a deal. An IT specialist, he has been invited by the Saudi government to show his company’s hologram technology to the king. If he makes the sale and gets the commission, everything will be OK. But for now, his boss doubts him; his divorce is costing him money; and his devoted daughter had to temporarily leave college because he couldn’t pay the tuition.

Because Tykwer is a smart director and because Hanks is one of the best screen actors in the world, Hanks doesn’t do the obvious thing here. He doesn’t play the character’s desperation, not for one second. Rather, he plays the professionalism of an executive salesman. He plays a fellow whose job is to conceal his worries and make sure nobody else worries.

It’s one businessman’s story, but it’s bigger than that. There’s the sense that this is the story of the American businessman, competing in a global climate that’s cold to the persuasive charm of American cheerfulness and interested in money entirely and in quality not at all.

Hanks is ideal for the central role, both in his essence and his skill. With Hanks, you don’t have to explain to the audience that this is a good guy and you need to care about him. His casting does that automatically, and Hanks does the rest.

Everyone else is up to his level, from the mysterious Saudi businessmen to the two women who cross his path, a Danish woman working in the kingdom (Sidse Babett Knudsen) and a Saudi doctor (Sarita Choudhury) with Western tendencies. It’s strange: “A Hologram for the King” is mostly about a series of nuisances, annoyances and stresses, and yet it’s a pleasure from beginning to end.

A Hologram for the King


Rated: R for some sexuality/nudity, language, brief drug use. Starring: Tom Hanks, Sarita Choudhury, Sidse Babett Knudsen. Director: Tom Tykwer. Running time: 97 minutes. Theater: Edwards 21, Flicks.