Movie review: Dreyfus does her thing in ‘Enough Said’ with late Gandolfini


Film Review Enough Said

Julia Louis-Dreyfus and James Gandolfini try to navigate the middle-age dating scene in Nicole Holofcener’s “Enough Said.” Both bring strong, charming performances.



    Rated: PG-13 for crude and sexual content, comic violence, language and partial nudity. Starring: Julia Louis-Dreyfus, James Gandolfini, Catherine Keener. Director: Nicole Holofcener. Running time: 93 minutes. Theater: Flicks.

There’s an amusing wistfulness to Nicole Holofcener’s latest exploration of woman and love, “Enough Said.” And since it co-stars James Gandolfini, you can throw in a touch of melancholy, a sort of dark cloud that hangs over an otherwise light and hopeful L.A. romance among those pushing 50.

Gandolfini gives a poignancy to one of his last screen appearances that will live on past his death.

Julia Louis-Dreyfus stars as Eva, a long-divorced single mom and massage therapist. Her job is a bore, her daughter (Tracey Fairaway) is about to move off to college and she’s resigned to the shrinking dating scene she faces.

Then, Eva joins her friends (Toni Collette, Ben Falcone) for a party. That’s where she meets Marianne (Catherine Keener). She could be a new customer and maybe even a new friend.

And then Eva meets the portly, frumpy Albert (Gandolfini), who clicks with her because they both find “no one at this party I’m attracted to.” They’re both down on rude “younger people.” He finds her random, inappropriate wisecracks funny, and he’s able to make her laugh, too.

They date, even though she’s hesitant. She tries not to judge the way he loads his low-fat yogurt with M&Ms or look askance at his Sunday sweatpants routine.

That becomes tricky when Eva realizes that the ex-husband her new client / pal Marianne is constantly griping about is named Albert. Her Fat Albert must be Marianne’s Fat Albert.

That’s a slim coincidence to build a movie on, but Dreyfus makes the most of it — letting us see the wheels turn as Eva starts looking for the same faults that her friend saw in Albert, and then tries to figure out how to address this “problem” of revealing to one that she knows the other. Dreyfus wears Eva’s neediness on her sleeve, reaching for her sounding board (Collette’s character is a shrink), clinging to a teenager who actually listens to her, her daughter’s best friend.

What’s fun here, to a point, is the collision of sensibilities. Dreyfus has made this sort of lovelorn joker her specialty, with a “Seinfeld”-polished bag of expressions, laughs and acting moves.

Work Dreyfus’s shtick into Holofcener’s cycle of screen journeys through life, which includes “Lovely & Amazing,” “Friends with Money” and “Please Give,” co-starring her muse, Keener, and what comes out is wistful, a shallow character trying not to be, upset when others see past her facade and can judge her the same way she judges them.

Gandolfini is charming and winning, even as the butt of too many weight/ calorie jokes to let us forget that he died — overweight and too young — this year.

Idaho Statesman is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere in the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. Thank you for taking the time to offer your thoughts.

Commenting FAQs | Terms of Service