NEW YORK - Before Joseph Heller satirized the madness of war in "Catch-22," he told a serious tale about the tragedy of racism.
"Almost Like Christmas," to appear this week in Strand Magazine, is about the stabbing of a Southern white, the town's thirst for revenge and the black man who has resigned himself to blame. The story has rarely been seen and offers a peek at the early fiction of one of the 20th century's most famous writers.
"Heller was to a large extent a guy who saw through hypocrisy, greed, and the backward nature of a mob better than most writers - so it's no wonder that he turned his pen to a racist mob in a small Southern town," said Andrew Gulli, managing editor of the Strand, a publication based in Birmingham, Mich., that has unearthed little known works by Mark Twain, Graham Greene and others.
From the start, "Almost Like Christmas" is a portrait of a worn out community. In this unnamed place, a terrible fight ("the primordial brutality of an alley fracas") has left a white man in a coma, local residents seething and a young black man, Jess Calgary, as the prime suspect.
A white school teacher, identified as "Carter," has the awful task of convincing Calgary that he should come into town for questioning.
"Almost Like Christmas" is as bleak as any of Heller's novels, but without the dark humor he would become famous for. Heller biographer Tracy Daugherty said that at the time Heller had yet to develop his own literary voice and was instead mimicking the style of magazine stories.
"William Saroyan was a huge influence on Heller at the time - stories of Depression-era hardships, written in a hard-boiled style," said Daugherty, whose "Just One Catch: A Biography of Joseph Heller," came out in 2011.
Heller, who died at age 76 in 1999, started writing "Catch-22" in 1953 and the novel came out eight years later, not long before the Vietnam War would make the novel required reading in the 1960s and '70s. Daugherty says she found evidence that Heller was working on a story based on his war service around the time he wrote "Just Like Christmas."
But editors advised him that the market for war fiction was already well served by such novels as Norman Mailer's "The Naked and the Dead" and James Jones' "From Here to Eternity."
"So Heller set his war story aside and continued to imitate magazine writers for a while, doing things such as 'Almost Like Christmas,' while feeling that he had not broken through to his best material," Daugherty said.