“Madagascar 3: Europe’s Most Wanted” is a riot of splashy colors, silly 3-D gimmicks, big, broad kid-friendly gags — and those professionally pesky penguins.

And for adults, there’s the charming spectacle of Oscar winner Frances McDormand giving voice to her inner Edith Piaf as she belts out “Non, je ne Regrette Rien” — as a French-accented animal control officer.

The third film in this unlikely animated franchise takes those New York refugees from remote Africa, where they’ve been stranded, to Monte Carlo and other points in the Eurozone as they try to get back to the friendly and confining Central Park Zoo.

It’s repetitious, as animated sequels usually are. It’s running low on new ideas, though some of the conclusions these critters reach about their fates may surprise you.

But it’s also funny, a farce closer to “Shrek the Third” than, say, “Toy Story 3.”

We pick up the story of the zoo-escapees Marty the zebra (Chris Rock), Alex the lion (Ben Stiller), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) in Africa, castaways since their fellow zoo-escapees, the enterprising penguins, have taken off in their modified plane and promised to send help. The penguins are in Monte Carlo, where they’ve become high rollers — scamming the casinos, trashing the hotel rooms with feather-dusting pillow fights. (“These pillows are filled with BODY PARTS!”)

Let us pause for a moment to appreciate the make-or-break-the-movies voice work by Tom McGrath, co-director of the “Madagascar” movies. He’s not at the top of the bill, but his William Shatner/Robert Stack riff on the penguins’ “Skipper” has become the most reliable laugh in film animation.

Alex, Marty, Gloria and Melman, King Julien (Sacha Baron Cohen) & Co. have to make their own way to Monte Carlo. That’s where they run afoul of the legendary Capt. Chantel DuBois (McDormand), a fanatic prone to sniffing around on all fours when she’s tracing her quarry. She makes a terrific villain as she chases the unruly animals all over Europe after they break the bank at the casino and make a break for it by hiding in a circus.

The main thrust of this comedy is “How are you going to keep our heroes in a zoo after they’ve tasted the excitement of the circus?” The relationships progress and the zoo animals, tested again and again in alien environments, keep weighing which is better — a life in captivity, where they’re coddled and adored, or something more challenging.

“Madagascar” has always had that subtext, but it’s been less about message and more about laughs. And “Europe’s Most Wanted,” despite its shrinking ambitions and slow spots, still delivers those — usually in a South Pole tuxedo.